Bio

Daniel's career in tv and film began in 1996 studying Audio Visual Productions at London Guildhall University, where he acquired a foundation in writing and shooting for tv, collaborating in several shorts and low budget feature films. 

He discovered the magic of editing while making his first 16mm short film at Panico Studios, funded by Terry Jones (Monty Python) cutting his film on a Steenbeck editing machine.


Working in commercials, pop promos, docs and one indi feature film “Sympathy for the devil” at Shepperton Studios, he pioneered non-linear editing on the first Avid systems. 

In 1998 he was an Avid and Premiere trainer and technician for the European Fund Media Scheme at Shoreditch Town Hall, teaching underprivileged youngsters. 

Daniel then moved in-house with agency Rapp Collins, editing and designing motion graphics for the commercials of UK charities (CRUK, RSPCA, NSPCC, Red Cross...) 

In 2003 Daniel moved to Singapore for 3 years and worked in-house at Ascent Media where he edited programs and hundreds of promos for the range of tv channels under Discovery Networks, Disney and MTV,  in the Asia-Australia region. 

He freelanced for advertising agencies McCann Erickson, BBDO, DDB and Saatchi as he continued to develop his motion graphics design skills while working in documentaries. 


Back in Europe, Daniel worked for tv and corporate agencies in Mallorca and worked in the award winning documentary feature "One Giant Leap 2: What about me?"

Back to London, he spent 3 years at Input Media, editing and designing graphics for FIFA, Champions League and dozens of broadcast sports tv and online outlets. 

Since 2010 Daniel has been a freelance editor/motion graphics artist and has crafted more than 120 hours of tv content, corporate and commercials.

He specialises in the documentary genres of science, crime, history, nature and investigative, helping win awards such as Best nature/science Programme of the year RTS award winner for “Live from Space” in 2015. 

Daniel's career in tv and film began in 1996 studying Audio Visual Productions at London Guildhall University, where he acquired a foundation in writing and shooting for tv, collaborating in several shorts and low budget feature films. 

He discovered the magic of editing while making his first 16mm short film at Panico Studios, funded by Terry Jones (Monty Python) cutting his film on a Steenbeck editing machine.


Working in commercials, pop promos, docs and one indi feature film “Sympathy for the devil” at Shepperton Studios, he pioneered non-linear editing on the first Avid systems. 

In 1998 he was an Avid and Premiere trainer and technician for the European Fund Media Scheme at Shoreditch Town Hall, teaching underprivileged youngsters. 

Daniel then moved in-house with agency Rapp Collins, editing and designing motion graphics for the commercials of UK charities (CRUK, RSPCA, NSPCC, Red Cross...) 

In 2003 Daniel moved to Singapore for 3 years and worked in-house at Ascent Media where he edited programs and hundreds of promos for the range of tv channels under Discovery Networks, Disney and MTV,  in the Asia-Australia region. 

He freelanced for advertising agencies McCann Erickson, BBDO, DDB and Saatchi as he continued to develop his motion graphics design skills while working in documentaries. 


Back in Europe, Daniel worked for tv and corporate agencies in Mallorca and worked in the award winning documentary feature "One Giant Leap 2: What about me?"

Back to London, he spent 3 years at Input Media, editing and designing graphics for FIFA, Champions League and dozens of broadcast sports tv and online outlets. 

Since 2010 Daniel has been a freelance editor/motion graphics artist and has crafted more than 120 hours of tv content, corporate and commercials.

He specialises in the documentary genres of science, crime, history, nature and investigative, helping win awards such as Best nature/science Programme of the year RTS award winner for “Live from Space” in 2015.